Streaming at 4pm ET on, the official Everly Brothers’ + and on Tom Petty Radio. ET via the Everly Brothers’ official website, official YouTube page and official Facebook page, with a simulcast of the live stream audio airing on SiriusXM Channel 31 (Tom Petty Radio).ĭon’t miss us celebrating the lives and music of The Everly Brothers on the Hey Doll Baby Virtual Festival this Sunday June 19th. In connection to the release, this Sunday, June 19, a number of notable musicians will lend their talents for “Hey Doll Baby” Virtual Festival: Celebrating The Lives And Music Of The Everly Brothers. (The film was notoriously condemned by the Catholic Church's Legion of Decency, but is innocent by later standards.) Hopkins' score similarly mixes conventional orchestral movie themes with more earthy elements, with fitful success.Today, June 17, marks the release of Hey Doll Baby, a collection of “buried treasures” from throughout the Everly Brothers‘ amazing catalog of music.Ī news release notes that Hey Doll Baby was “Don Everly’s final contribution to his legendary career created lovingly with Phil Everly’s estate throughout the last year before he passed away August, 21rst 2021.”Ĭlick here to pick up Hey Doll Baby on CD from our Rock Cellar StoreĬlick here to pick up Hey Doll Baby on LP from our Rock Cellar Store Orchestra, under the direction of Ray Heindorf, finds itself augmented by harmonica and mandolin on occasion, while playing music that mixes fairy tale references with barrelhouse blues (particularly when it accompanies Smiley Lewis singing "Shame, Shame, Shame!") Released in 1956, Baby Doll was a transitional effort for Hollywood, moving into a more mature subject matter while trying to continue to appeal to a family audience. His writing struggles to conform to the varying moods of the film and to the contrast of Hollywood moviemaking in a down-home setting. Lonely sample and telling it to shut up: Some Rap Songs, an Album by Earl. Kenyon Hopkins, for whom this was his first major score (he went on to handle a relatively small body of work including Twelve Angry Men, The Strange One, The Fugitive Kind, Wild River, Lilith, and Downhill Racer), was a protégé of Kazan's, and his music was not prominently used in the picture, although it came up dramatically here and there. By the late 1990s, the Beanie Baby creator was retiring certain animals to. Baby Doll, a drama based on two of Tennessee Williams' one-act plays, with a screenplay by him and directed by Elia Kazan, is imbued with Williams' feel for rural Southern lust and corruption.
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